Las óleos de todo Joachim Beuckelaer
Choice ID Image  Painting (From A to Z)       Details 
29357 A Village Celebration  A Village Celebration   mk65 1563 Oil on canvas transferred from panel 44x64"
40383 At the Market  At the Market   mk156 1564 OIl on panel 128x166cm
89343 Beuckelaer  Beuckelaer   1563(1563) Medium oil on oak cyf
84573 Christ in the House of Martha and Mary  Christ in the House of Martha and Mary   Date 1565(1565) Medium Oil on oak Dimensions Height: 113 cm (44.5 in). Width: 163 cm (64.2 in). cjr
88435 Christ in the House of Martha and Mary  Christ in the House of Martha and Mary   1565(1565) Medium Oil on oak cyf
88991 Christ on the Cross  Christ on the Cross   1567(1567) Medium Oil on wood cyf
29358 Detail of A Village Celebration  Detail of A Village Celebration   mk65
90245 Die Eierhandlerin  Die Eierhandlerin   1565(1565) Medium oil on panel Dimensions 126 x 81 cm cjr
88081 Die Kochin mit Geflugel  Die Kochin mit Geflugel   Oil on wood, 109 x 76 cm Date 16th century cjr
91030 Die Kochin mit Geflugel  Die Kochin mit Geflugel   oil on panel, 109 x 76 cm Date 16th century cyf
84706 Kitchen Interior  Kitchen Interior   Date 1566(1566) Medium Oil on wood Dimensions Height: 109 cm (42.9 in). Width: 139 cm (54.7 in). cjr
88614 Kitchen Interior  Kitchen Interior   1566(1566) Medium Oil on wood cyf
90739 Kitchen Scene with Meeting on the road to Emmaus  Kitchen Scene with Meeting on the road to Emmaus   c. 1560(1560) - c. 1565(1565) Medium oil on panel Dimensions 109.5 x 169 cm (43.1 x 66.5 in) cjr
84502 Market Scene  Market Scene   Date second half of 16th century Medium Oil on wood Dimensions Height: 113 cm (44.5 in). Width: 81.5 cm (32.1 in). cjr
86538 Market Scene  Market Scene   Date 1563(1563) Medium Oil on oak Dimensions Height: 111 cm (43.7 in). Width: 164 cm (64.6 in). cjr
88360 Market Scene  Market Scene   second half of 16th century Medium Oil on wood cyf
88990 Market Scene  Market Scene   second half of 16th century Medium oil on wood cyf
32251 Market Scene (detail)  Market Scene (detail)   Oil on wood, 113 x 81,5 cm
89955 Market Woman with Fruit  Market Woman with Fruit   1564(1564) Medium oil on oak cyf
86554 Market Woman with Fruit, Vegetables and Poultry  Market Woman with Fruit, Vegetables and Poultry   Date 1564(1564) Medium Oil on oak Dimensions Height: 118 cm (46.5 in). Width: 171 cm (67.3 in). cjr
21967 Market Woman with Fruit,Vegetables and Poultry (mk14)  Market Woman with Fruit,Vegetables and Poultry (mk14)   1564 Oil on oakwood,118 x 170.5 cm Schlo Wilhelmshohe,Staatliche Kunstsammlungen,Kassel
70 Market Woman with Fruits, Vegetables and Poultry  Market Woman with Fruits, Vegetables and Poultry   1564 Staatliche Kunstsammlungen, Kassel
84352 Miraculous Draught of Fishes  Miraculous Draught of Fishes   Oil on panel 43 1/2 x 83 in. 71.PB.59 Date 1563 cyf
45568 Museum national market woman with fruits, Gemuse and Geflugel  Museum national market woman with fruits, Gemuse and Geflugel   mk186 1564 Kassel
39675 Peasants at market  Peasants at market   mk150 1567 monogrammed and dated Panel 109x140cm
28970 Pilate Shows Jesus to the People  Pilate Shows Jesus to the People   mk65 Oil on panel 43 5/16x55 1/8in Uffizi.
89652 Slaughtered Pig  Slaughtered Pig   1563(1563) Medium oil on oak cyf
21977 Slaughtered Pig (mk14)  Slaughtered Pig (mk14)   1563 Oil on oakwood,114 x 83 cm Wallraf-Richartz-Museum,Cologne
91318 Vegetable Seller  Vegetable Seller   second half of 16th century Medium oil on panel Dimensions Height: 111.2 cm (43.8 in). Width: 81.6 cm (32.1 in). cyf
Joachim Beuckelaer
1535-1574 Flemish Joachim Beuckelaer Galleries b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.



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